Weird Art for Germans title in gothic text

The disturbing life of artist Dieter Gloop.





Home Disturbing Stories Dieter Gloop Weird Art Why Germans?

Dieter Gloop


Dieter Gloop was born in 1952 in Pittsburgh, Pennsylvania, to German immigrant parents.  A mere 32 years later, Gloop died from complications as a result of a self-inflicted gunshot wound to the head.

At the time of his untimely death in 1984, Gloop had not sold so much as a single piece of his artwork, having spent the entirety of his career working in obscurity.  In fact, it is generally agreed that Gloop worked in complete secrecy without ever having shown the first story or sketch to another living soul.  We know as much from the entries in his extensive diaries, as well as the from the statements of his landlady, Mrs. Edith Blanch, believed to have been Gloop's only contact with the outside world during the last ten years of his life.

Dieter Gloop was an only child for all intents and purposes.  Gloop's older brother Franz had died as an infant from whooping cough just a few years before Gloop was born, and his mother Olga was emotionally scarred by the loss. As a result, Olga became terrified of germs and routine illnesses, and she obsessed constantly about young Dieter's health and cleanliness. Sadly, Olga's obsessive paranoia progressed to such an extent that eventually she was institutionalized. 

We know from Gloop's diaries how unbearable Olga's obsession with health and cleanliness had been for him as a child. If little Dieter so much as sneezed, he was not allowed out of the house for a week, and then only if he were bundled so tightly he could scarcely breath or see. Playgrounds and public restrooms were forbidden.  Olga boiled little Dieter's sheets and clothes daily, and he was not allowed to speak to or touch another child. If Dieter's father Heinz objected in any way, he managed to do so without giving the child the first indication that he even noticed that anything was wrong.

Then one day when Gloop was nine, there had been an incident.  Olga was watching from the upstairs window while little Dieter played on the sidewalk below when a little girl with a runny nose suddenly ran out from the apartment building next door.  The little girl reached out and grabbed Dieter in a bear hug as children will sometimes do when they play, but this everyday scene drove Olga into complete hysterics. 

Olga ran out onto the sidewalk screaming and crying, yelling at the little girl with a runny nose as if she had been a wild dog. There had been a scene. The girl's mother and other neighbors tried to calm Olga down, but it was no use.  Something in Olga had finally come unhinged.  She dragged Dieter back inside the apartment and straight to the bathtub.  There she stripped Dieter naked and scrubbed him with chlorine bleach, causing chemical burns which later required hospitalization. Only then did Dieter's father Heinz begin to accept that Olga needed help.

Olga Gloop was institutionalized on June 6, 1963 when Dieter was just eleven.  The day was a watershed event in Gloop's life, and the artist would forever be plagued with guilt over how it had made him feel, specifically the incredible relief he felt at finally escaping Olga and her obsessive regimen.  Gloop's extensive diaries and early work with prison themes clearly indicate how traumatic the event and its aftermath had been for him, but we also see an ambivalence, one that seems to celebrate the destruction of the erstwhile tormenter. Works like "The Severed Cheek" and "The Importance of Knives" come to mind. 

Of his father Heinz, we know much less, at least from Gloop.  All other accounts describe Heinz as a distant man, emotionally inaccessible if not downright cold. We often see father Heinz in Gloop's domestic works, but only as a looming shadow or dark silhouette in the background, completely separate from the scene in the foreground.  The most well-known work that makes use of the "dark father" motif has to be "Now We Are Flame." Surprisingly this work was painted as a birthday gift for Heinz's fiftieth birthday.  Like all of Gloop's work, "Flame" is loaded with a sense of irony and despair which only increases with the more that is known about the context of the piece.







Home Disturbing Stories Dieter Gloop Weird Art Why Germans?


Copyright 2008 Joe E Moorman. Not to be reproduced or modified in whole or in part without express permission.

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